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INTERVIEW: BRYAN BERTINO
Writer and Director of "The Strangers"

A terrifying suspense thriller about a couple (Liv Tyler and Scott Speedman) in a remote suburban house who are targeted by three dangerous masked strangers. The resulting clashes force the couple to go well beyond what they thought themselves capable of in order to survive.

• Complete Film Info
Watch the Trailer
Official Site
 

Interview By The Butcher

So Brian, are you a horror junkie at heart or just for the time being?

At heart man… There are two kinds of movies I watched growing up, lots of drama and lots of horror. I definitely wasn’t a comedy guy, but for what ever reason I loved being scared as a kid.

So what did your horror diet consist of growing up?

The films that still inspire me today, films like “The Texas Chainsaw Massacre”, “The Exorcist” and “Alien”, that era. Those movies grab me a lot more than say what’s going on right now.

So are there more horror films to come from Bryan Bertino?

It’s weird because sometimes you see directors start off with something like this and go off in a different direction. I’m not apposed to doing a comedy or drama, but I’m definitely very proud to be a horror director. I wish more people were, so we could help push the genre forward. There’s just something about that base level of fear. It’s such a great feeling. Very much like a great drama, it leaves you emotionally exhausted. The scene in “Chainsaw Massacre” when you see Leatherface for the first time, it’s like “Man, I need a fucking drink.” But yeah, I plan on telling scary stories for a long time if I’m given the opportunity.

I think your film is going to be scary because it relies more on a realistic situation as apposed to some guy torturing people, or a maniac in the woods building up a body count.

Yeah, “The Strangers” is definitely not a body count movie. I’m not very interested in super villains or super killers. The horror films that freak me out, even if it is like an “Alien” are grounded around people. Take the scene in “The Shining” when Jack Nicholson throws the tennis ball against the wall, that made everything feel so real because that’s something I would do.

I also wanted to keep things simple. I purposely didn’t go for any “Panic Room” style camera movements. I wanted the camera to feel like you were witnessing something, but not getting in the way. And there’s very little CGI.

I noticed the marketing campaign mentions “The Strangers” being inspired by true events. What’s up with that?

When I was a kid my father gave me the book “Helter Skelter” as some sort of sick joke, but something about it caught my attention. It wasn’t Charles Manson, or the killers. It was the victims. Fast forward thirty years later and we know all about that night now, but for those victims inside that house they knew nothing. They were there on a Friday or Saturday night and someone stepped into their house changing forever what their lives would have been. That really fascinated me and as time grew on I became more and more interested in writing a story around it.

But whether it’s some news story on TV or an obituary in the paper, regardless of what’s being reported, one thing stood out to me over and over again and that’s the victims. It doesn’t matter if they were caught by surprise or killed in their sleep. We eventually find out who those victims were, but sometimes the victims are never given that chance.

So have you had one of those nights where you hear a noise in the middle of the night and search the house with a Louisville Slugger?

Of course, I think everyone has. When I first sat down to direct this film I kept telling everyone that I wanted the movie to feel like one of those moments, but what if you turned on the light and someone was actually there? It’s that moment of total fear that I wanted to carry throughout the film.

I’m curious, can you give me a rough estimate on how much time went into the look of the masks in your film?

We had some great people helping us out. We started with what was in the script and then went a million different ways trying a million different things. I would ask an artist to draw me a scary mask and then he’d reply with “Well, what’s scary to you?” We went back and forth a lot, but the funny thing is, we ended up going back to the original idea from the script and that’s what you see in the film. So to answer your question, about two months. Two very fast paced months.

How does one manage to snag Liv Tyler for their film?

Liv is someone I had been thinking about and I was really fortunate that she read the script, flipped out about it and really loved the character. I knew I didn’t want to cast actors that had been in a lot of horror films. I knew that I wanted to go in a different direction with that. I was thinking about this movie as being a drama first and hopefully you’d care about the characters regardless if someone had knocked on their door that night or not. That was really important to me and she saw that. She realized that the film could be something more than just a slasher.

Props to you for casting Scott Speedman, I think that guy is grossly underrated. I’ve been a fan of his since “Dark Blue”.

(Bryan laughs and seems genuinely pleased I mention this)

Thank You! To me, I want nothing more then for Scott to blow up because I think he’s one of the most talented actors I’ve ever had the chance to work with. He brings so much to it and if you watch his movies there are so many good performances he gives. He’s a very subtle actor. I was so thrilled to have him in this movie. But I’m glad to hear someone say he’s underappreciated because I definitely agree.

Let’s say you’re hanging outside a screening of “The Strangers”. The movie ends and you hear people talking on the way out. What would you like them to be saying?

(Bryan thinks for a good twenty seconds)

I would want them to walk away saying “That was a truly terrifying experience”. Don’t get me wrong, I want people to enjoy my movie, but I think good horror films are terrifying and that’s what I’m going for.

My wife definitely won’t be seeing this movie. Anything this real and terrifying will scare the shit out of here. I can just see her not wanting to stay home by herself for the next fifteen years.

(Bryan laughs throughout the next few sentences)

I feel bad because I don’t want that to happen to people, but at the same time it’s like…

Well that’s the point isn’t it? Isn’t that the best compliment you can get?

Yeah, it doesn’t get much better then that.

Last question, what was the last good horror film you watched?

I guess I’d have to say “The Descent”. That was the last movie that made me jump. I’ve always really liked Neil Marshall. For a movie as simple as some creepy cave creatures it really freaked me out.
 

Interview is property of KillerReviews.com - Copyright 2008
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